Sunday, March 9, 2014

Hearts And Migration -


Honour And Being Honourable


 Artie lives in a house that will be called upper middle class or better by any standards. Well to do, two children, one of each sort, both well educated and so on. Dream life - and in a wealthy country, too. Friends that speak their own language - not so easy to find and keep up with, but this is an old batch when the Asian involvements of U.S. necessitated bringing experts over from everywhere, and these people are from a region of intellectual concentration. Arte should and mostly is pleased with life, except there is no one to give to, the children are grown up and the local culture leaves gaps - if now there is a daughter-in-law that would be a subjugate I am unaware of it, but then there was no such immediate prospect, and besides the NRI children in U.S. want a local and not an imported wife as the first generations do - for them an NRI girl is a compromise.

Artie is very proud of her children - but there are differences in the ways of pride she holds for either. The daughter, apart from being educated and doing fine, "never kissed anyone in college" - how does she know? Well, the culture Artie stems from would keep an eye on one's own, and a girl who does such things is immediately reported on, talked about around discarded as far as consideration for orthodox goes. Or at least there was a spy in this case that reported he saw everything that was going on, and this girl was untouched according to his report. So Artie is proud she has brought her up well. 

The son, of course, is another story. "I don't have any illusions about his personal life" Artie sort of glosses over what she means when she is extremely angry about having watched an intelligent film about problems of migrant labour and their travails, and while there was no explicit scene as one would take normally in a non Indian film, what was clearly given to understand - that the wives left behind have problems too and are not always able to wait pristine - is what has made her uncomfortable, since it so happened her son watched it too, and she found watching an adult albeit clean film embarrassing to watch with him. "I am not under the illusion he is a virgin, but -" she is angry about having been so very embarrassed inadvertently. 

 She talks about how many beautiful, some even famous, girls back home are available for asking to be brought over to marry him; about the daughter she is picky too, but she marries locally, and that is cause for pride as well, the daughter has chosen well on every possible count. How would she accept a local girl for a daughter in law, I wonder.
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 Rg was a little more honest about her willingness for integration. Her husband was brought up monolingual and so has switched over to the local language - and she has given her two sons names that will get absorbed with no trouble locally. She confides that she would not mind if they shorten their names to local convenience, and I understand it was the intention all along. Hence the fashion for certain names. 

 She confides that certain worries exist where children absorbing local culture goes. These people are midstream absorbed already, it is not a question of food adjustment or even other normal fads. It is only about concerns every parent should have - drugs and so forth. But, she says, she would be understanding if they date, and are late coming home. I ask her if she would feel the same way about a daughter. She is not sure.
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 This wave for those new names suddenly sweeping across the NRI and therefore the Indian films as well - it matters less to them if the names are not always considered auspicious and that was the reason for them not being traditionally common. 

 Raahul for instance - it was the name of the infant son left behind by the troubled Siddhaartha who went away on his path to find answers and returned only as Gautama Buddha, which is: Most Enlightened (Gautama) and One Who Has Comprehended (Buddha); Raahul, however, had no father except in name, due to the father having gone his way and not returned to his duties to the family - which were not, have never been, considered incompatible with his aspirations for spiritual growth and achievements, and there were other instances of men who did do it all; Janaka was one, much known and respected too. So Raahul was left an orphan in effect even though not poor and not without people to care for him. And therefore naturally, historically, traditionally Raahul has been avoided as a name for a son. It is not considered a happy name. 

 But when one looks for a name that sounds similar to the dominant culture such names become common and some new names get coined to sound similar. Such similar sounding names have been around for a while - a century, nearly. It is only when one thinks about what they mean and why they were given those names that anomalies are clear. 

 And it is not only NRI but indigenous population as well when their ambition is to be as westernised as possible even though living in India - the local westerners might never get used to the rules one has to live by when actually there (no servants, do all work oneself, everyone is equal at least theoretically, children meet peers with no parental supervision in teen years, no noisy parties at home, driving with rules -- those who live there face all this; here they drive anyhow, imitate bar culture but hold noisy parties at home, ...). These give names that are out and out meaningless often, except in copying one outright. So NRI population is really holding onto a ship's rail in midst of ocean, comparatively.
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 Sometimes one is merely conveyed a message about an event, without a comment; one has to either tow a fine line in gathering how it was felt or thought about or one has to know the people intimately to know or even to ask. What one gets from news sources can be seen summed up sometimes in films - but that is not very often when the culture involved is not confident about its own ethos enough to show the realities as they are, and the films show a cleansed, what-should-be version of what is; which is not always with negative motives either - what people see on screen, whether TV or film, is often taken the other way, as ideal to be followed, or common practice and hence of merit, or at least subconsciously influencing - we have all known reports of criminals following a clever idea from a film, haven't we, in news reports? Showing a cruel reality should not get to spawn more of the same, so it is not always bad to embroider it, to show wrongdoers punished, at the very least. 

 There haven't been too many films about NRI girls - and in the context it is true of those from the subcontinent - in UK and their travails of growing in a society their parents brought them up in with the added proviso - go to school here but dress like one is expected to back home, work here and be a credit to your community and family but don't mix beyond the hours we prescribe as allowable for you, be smart as the ambient society (haircut, make-up) but marry only within the pattern allowed, not like the ambient society and certainly not into the ambient society. 

 Perhaps the various extended NRI communities have behaved differently in U.S., or the stink would have been all over long ago. In other countries - U.K. and Canada for instance - it has been as shameful a history even recently as can be. There have been a few reports on TV, and perhaps a film or two, the latter glossing over the horrendous nature of crimes committed within the community. The films are extraordinarily popular, one has gone on to make a record run of ten years - and however artificial that record, however propped up the run, it still is true that the film is popular enough. That has more to do with reality that is glossed over, and the silent tears materfamilias crowds lets flow in the dark over the story of their daughters (another recent one has more merit in various ways, and was tremendously successful too, but lacks the touch of gruesome that catapulted the first one from mediocre to phenomenal in terms of success). 

 Why this huge lid on daughters? Why is it ok for sons to fool around, and forgivable to bring home a "foreigner" wife (which really is a local bride, when one lives away from home and the new bride is from somewhere around the corner), but not ok for a daughter to have even friends, and murders let loose if they have a marriage of their own choice? 

 It is not always neither everywhere so in India, nor has it been prescribed in ancient times much less practiced. Ancient Indian prescription is for grown up girls - young women - to choose either with the counsel of parents and elders or to go with their own hearts, and both are equally valid routes of choice of a partner, with further mentioned eight methods of weddings, including a secret one where only Gods are witnesses. The only one way that is not recommended, merely mentioned, is when the woman is kidnapped and the union is without her consent, and that is condemned but still gives her the rights and privileges of marriage in full. That is, she is not punished with a diminished status for crime of abduction and forcing her that is committed by another or others. 

 She has less dignity today in the circumstances where she is a daughter in a country considered foreign for the purpose and the ambient society considered too free, too liberal, for the expat community. The community perhaps is fighting the last bastion of what little control they can retain over their lives, which is to force women into what the men like and keep them under control, or else they might not feel like men. 
 Since when is it the definition of manhood to control women? 

 Perhaps that has been taken as without definition by most societies - because they have not thought about it. 

In ancient Indian tradition, though, it is power and control more than anything over oneself that is the definition of manhood. If you are provoked by a word, a dress, beyond control without your mind's consent, with your inner being protesting, you hate yourself and transfer the hatred to the woman and attack her - that is the common scenario, source of much condemnation of women all over the world whether Europe or west Asia, in religious and common terms. India, however, prescribed that you as a man retain control of your mind and your actions no matter what, and if you have intentions to not keep away - and the woman is not wife of another - then you first obtain her consent, and then take responsibility for life before going ahead, or else you are not man enough and any actions of yours are those of a less-than-man, not much more than insect. 

 It is not to claim that today everyone is man enough by those standards - but to remind that those are the standards, and that is what it meant to be Aarya, amongst other many rules and ideals. Race and colour of skin had nothing to do with it – that was a false association made by a culture incomprehensive of the very concept inherent in the word from Sanskrt.

 Yoga today is followed as fashion coming home to roost having toured from AU to CA - but it is not just exercises and relaxation, not a way to just pass time. Yoga literally means union, and what is meant is union of your exterior self with your Inner Self, the Divine in you; and control of your outer self is a first step towards the transformation that is intended by the union of your soul with the Divine.
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 When you seek to control a woman - wife, daughter, sister, or stranger - ask yourself if you feel less than a man unless you terrorise women, children, old and handicapped and weak, and if you are man enough for you in your own consciousness why is it necessary to prove it by the terror you wish to let loose and control others? 

 Why does it diminish you to treat them - anybody - as equal humans, whether they are different on grounds of race or gender or size or whatever?
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Perhaps if you saw and understood the view the ones you terrorise have of you, you might reconsider your view that terror and control established your manhood and gives you respect. 

Often they view you as deluded and use it for their own means, and it is so easy too - cater to you, make you dependent psychologically, manipulate you and so forth; this is true of most "dominated" cultures - whether women or servants or whatever. While you, the masters, see them as less and those you pay for, they see you as helpless as a baby and dependent, and ridiculous - but they would not let you know for worlds, of course. They know they have it hard and yet can manage to do without you if needs must - and too that you cannot manage without them. 

Just think of how many men really prefer being really single in the truest meaning of the word - that is, celibate, in control, able to manage a clean household and cook, much less take care of children. Plenty, in fact, exist, but do you know any? Most take the first woman who will do - and pretty much the same is true of those masters that depend on servants too. Widows and divorcees not only manage longer or even forever, they even prefer it so, more often than are forced to. 

Servants can always find work elsewhere.

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 When we were young and being brought up away from the home town, the colony we lived in had elopings occasionally, and the results were mostly of a pattern. The girl's family disapproved, refused to see her and acknowledge her, and was upset; then there was a child and they melted straightaway and were fawning over the baby and celebrating the now-firmly-established-together couple. Marriage is considered final in Hindu tradition, and this is not to say marriage as per Hindu rules - but then any marriage by any rules is valid by Hindu tradition and rules - and so the girl's parents and relatives might be unhappy but if she is married she is married, and a disapproval can only amount to refusing to carry on the existing relationship with her in terms of meeting. 

 Other communities have other ways - some have prescribed divorces in their tradition, and so use all sorts of ways to get the girl physically in control to get her divorced by force and married to one of their own choice; others wishing to emulate them in their notions of control and "honour" but lacking the apparatus in their tradition to have divorces resort to killing the girl in question, first and foremost, and often the groom and more. 

 But why does your "honour" depend quite so much on what someone else does? Doesn't that take away control of your life away from you and into everyone else's power? Why give it? And moreover, why is your "honour" disassociated from your own actions, however ignoble? 

 Shouldn't it be a measure of true sense of honour that you are unlikely to strike a weak and unarmed person, much less woman or child? Shouldn't it be a matter of honour that your women and children trust you, and love and respect, rather than be afraid and repelled? Shouldn't it be a matter of honour that they know you would not stoop to ignoble acts or even thoughts, and be concerned if their own selves measure up? Shouldn't it be a matter of honour that your sons are brought up to be men, in the true sense - not in the sense of male in human form?
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 The second, more recent film on the topic has seen much success, unforeseen but acknowledged. It is due not in a small measure due to the character of the young man as it is sketched and as it develops, (and the way it is portrayed so well too) and not because the boy back home gets the girl after all - it is not that he gets her, it is that he gets her the right way, having won her heart for the right reasons, without violence or coercion or even a crass seduction. 

 It is not only the girl but the audience fall for him completely, since he portrays the values and speaks out too in favour of doing the right thing. The rest is decoration - which is not badly done but could have been better in many parts in many ways. Still, it is the core that was good, and audiences of India are no fools. They voted out despots without delay and fools too, every chance. They vote with their pockets too, for good value. Glamour fools but not often - and falsehood, not likely. This film had a true hero, and a girl with a mind, too - of her own.
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