Wednesday, March 5, 2014

Beauty and Romance, Gorie and Saanwaraa -



Indian Concepts Of Beauty



 I was visiting cities of New York and Washington D.C. to see the museums during spring break and it was a colleague who remarked about the difference of our way of looking - I was looking at shapes and lines of contour while she was looking at colours. Since we were looking at vases it naturally seemed to me that contours were the first and foremost measure of beauty. She ignored them completely.
 We - the international bunch of colleagues from the department, and my roommate who was in music - often discussed these, the concepts of beauty. The only things I could tell them truthfully, too, is that first of all, we often have families with all possible colour variety of skin colour, from very dark to very light; second, we have criteria of beauty that have more to do with shapes and placements of facial features and of course long thick dark hair (for women), than a pale face without any of other requirements satisfied; and third, the only Indian woman famed for her beauty, legendary, a central figure in Mahaabhaarata, was dark. Of course so was Ram, and he too is renowned, much sung about, for his beauty as well as other qualities. But then dark men have been seen as attractive in other cultures too.
 Recently again the topic came up when Bob and his neighbour invited us - her invitation - to a Chinese restaurant. It has always amused me that western culture is in total awe of of Chinese, while Chinese look upon them with disdain at best and contempt in general. Chinese name - the very word - for foreigners is either "foreign devil" or "barbarian"; and the more friendly India gets treated with discrimination by those same people who kowtow to Chinese.
 At that a usual misconception came up again - Bob asked if we did not have an abusive word, gora, for foreigners. And he was learning Hindi! No wonder he was frustrated with me - I did not praise him for merely attempting or pretending or whatever token gesture, and he was upset I corrected his mistakes which were half a dozen per minute or per sentence. Anyone having learned any Indian language, especially Hindi, must know that gora is not the same as foreigner.
 I explained again - Gaur is light-colour, and that would be colour of light; and the words gora (male, singular) gorie(female, singular) and gorae (plural, general) are comparative words, not absolute. Some people are lighter than others and they have again people lighter then them. But that is descriptive of comparative shade, and has no other value inherent in the word. In fact associations of beauty and romance are not always with light colour in India, and nor are they against light colour. Which brought us to Ram being dark and the fair Seeta falling in love, Draupadie being dark and a huge battle being fought over her honour by her defenders against those who attempted to own her and humiliate her. In fact romantic words for beautiful and lover are gorie and saanwaraa, light coloured maid and dark man.
 This made me think about those most common romantic words - we use the words but the concepts are universal. Think of "tall, dark and handsome", "fair maid", and so forth. Why? Why the dark man and the light woman?
 But the answer is obvious. And it has nothing whatsoever to do with race.
 All through history and prehistory and primitive ages, women were bound to child bearing and rearing, and hence a man who was busy helping with gathering food, making shelter and defending against any and every threat was the most useful. Such a man would get dark by being out in sun and wind. But the woman needed to retain calm and softness so stress of motherhood would not bring her to screaming frenzy, and so she needed to avoid any and every stress of being in the violent world out there and shield her progeny by being with them as the last shield. So her life would naturally retain her level of light colour and vice-versa, a woman with rough skin and dark colour was likely to be one that toiled outside and would be not quite so gentle with children. Again, all this is about comparative values of colour - a naturally dark colour would look very different from a rough sun-and-wind-burn, which is not the same as a normal healthy tan of a normal healthy life.
 Recently some channel showed the once very famous and much loved song "o sajanaa" - and that was the very picture of idea of Indian beauty in every way possible. The rain, the young woman touched by the breeze and the raindrops and singing in gentle happiness, her gently curling long hair down on her back billowing a little in privacy of her own veranda in the small thatched-roof home, her saree simple and inexpensive and simply draped, and her being totally unaware, unselfconscious through the whole scene.
 Perhaps you have to be Indian to appreciate it.
Then again, perhaps not.
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